How often do any of us get the chance to hear a 40-voice Renaissance motet performed live? The famous one, too, Spem in alium by the English composer Thomas Tallis (1505-1585). And how often does this one piece (performed twice) become the entire program, particularly since it's about 10 minutes long? The answer, thanks to Make Music New York and The Dessoff Choirs, was late afternoon Monday a week ago at the R.C. Church of St. Andrew in lower New York.
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It's not often you get a chance to see Jesus and Buddy Guy on the same day. Jesus was dragging a cross down the sidewalk in Brunswick Heads, followed by a few followers; a Good Friday reenactment staged for effect on the main drag through town. Buddy Guy, on the other hand, appeared at BluesFest, the largest blues festival in Australia, running on six simultaneous stages over five days on the Tyagarah Tea Tree Farm outside of Byron Bay in New South Wales.
One of the things I like about Brisbane is the opportunity to hear music I wouldn't ordinarily hear in New York. Not that it's not there, but that it gets lost amid the multitude of concerts that are available each night, many of which I only hear about in retrospect, if at all. One such example is Djan Djan, which Nora and I heard at the Judith Wright Centre on Friday night.